Category Archives: Art

Sunset River Marketplace features group show Blooms through June 3

Sunset River Marketplace art gallery in Calabash is featuring a group show titled Blooms from April 19 through June 3.

White Camelias by Ruth Cox. Oil on canvas, 18 x 24.

According to gallery owner Ginny Lassiter, the exhibition is celebrating Spring and rebirth with a colorful mix of works in a range of media.  Included in the show are works by Ruth Cox (oil), Ginny Lassiter (acrylic), Gene Horne (oil),  Karen Casciani (watercolor), Brenda Butka (oil), Beverly Offitt (pressed flowers), Louis Aliotta (photography), Roseann Bellinger (oil),  Joyce Volmer (oil),  Mark Hilliard (photography),  Sue Marion ( watercolor), Ardie Praetorius (clay), Kim Clayton (folk art), Pat Smelkoff (batik), Celia Wester (oil),  Micheline Sansregret (watercolor), and Karen Day-Vath. Sterling Edwards (acrylic), and the late Ramona Batsford Bendin (oil).

Hydrangeas by the late Ramona Batsford Bendin. Oil on linen, 24 x 30 inches.

“Spring is always an active time here at Sunset River Marketplace,” says Lassiter. “The changing season brings both new residents and visitors to the area, so we’re happy to offer an exhibition that presents a wide range of art and style. And we hope folks new to the area will stop by to enjoy the show and see what we have to offer.”

Brenda Butka’s evocative Blazing Coffee, oil on board, 16 x 20 inches.

Sunset River Marketplace showcases work by approximately 150 North and South Carolina artists, and houses some 10,000 square feet of oils, acrylics, watercolors, pastels, mixed media, art glass, fabric art, pottery, sculpture, turned and carved wood and artisan-created jewelry. There are two onsite kilns and four wheels used by students in the ongoing pottery classes offered by the gallery. A custom framing department is available. There are realistic and abstract art classes as well as workshops by nationally and regionally known artists. The gallery’s Coffee With the Authors programs feature presentations by local and regional authors. A Paint & Party series provides a fun after-work experience for those with no previous art background. For more information, call 910.575.5999 or visit the website at www.sunsetrivermarketplace.com.

Sunset River Marketplace is located at 10283 Beach Drive SW (Hwy. 179), Calabash, N.C. Regular hours are Monday through Saturday, 10 a.m. to 5 p.m. For daily updates, “like” the gallery’s page on Facebook.

 

Artists Vie for Honors in Arts and Crafts Guild Competition

More than 40 artists from around the Myrtle Beach, South Carolina, region will vie for top honors and more than $2000 in cash prizes in the 20th Annual Waccamaw Arts & Crafts Guild Juried Exhibition, opening Tuesday, May 2, at the Franklin G. Burroughs-Simeon B. Chapin Art Museum.

 

A reception (free and open to the public) will be held from 5:30 to 7:30 p.m., with awards presentation beginning at 6:00. The exhibit continues through June 1, with gallery hours from 10 a.m. to 4 p.m. Tuesday through Saturday, 1 p.m. to 4 p.m. Sundays. (Shortened hours may apply during some weekends in May. Call the Museum to verify open hours.)

 

Seventy-four two-dimensional and three-dimensional works were selected for jurying. Works selected for display include oil, watercolor, and mixed media paintings, photographs and fiber arts. With creations from artists throughout the Carolinas, the show is a perennially popular event with locals and visitors. A large percentage of the works on display will also be available for purchase.

 

Judge and juror for this year’s competition is Linda Daly Baker of Charleston, SC.  Her watercolors capture the transformative effects of light and its ability to abstract the subject matter upon which it is cast.  Baker teaches workshops internationally and is a signature member of a number of guilds, including the American Watercolor Society, the International Society of Experimental Artists, the National Watercolor Society and the Transparent Watercolor Society of America.

 

At the opening reception for this exhibition, Baker will provide insight on how the works were selected for inclusion in the exhibit and will participate in the awards ceremony.
Cash awards to be given include the $800 Rebecca R. Bryan Best in Show Award, as well as First, Second and Third Place awards of $500, $275 and $100 respectively. An additional 10 works will also be selected for Honorable Mentions.

 

Admission to the Museum is free but donations are welcome. For further information, call 843-238-2510 or visit www.myrtlebeachartmuseum.org

The Friends of Brookgreen Sponsor Fine Art Auction

The works of internationally recognized sculptor Glenna Goodacre will the centerpiece of a Fine Art Auction hosted by The Friends of Brookgreen Gardens May 5, 2017.

Brookgreen was selected to receive 15 of Goodacre’s works, including figures from her largest piece Irish Memorial, created in 2002 for Penn’s Landing in Philadelphia.  In October of 2016, Goodacre announced her complete retirement from sculpting and casting bronzes. She began destroying her foundry molds, so there will be no new castings of her work.

 

Three etchings and one lithograph by Alfred Hutty, considered one of the leading artists of the Charleston Renaissance, will also be part of this auction; as well as works from noted artists such as Linda St. Clair, Stephen Scott Young, Jonathan Green, Bobby Bagley, and many more.

 

Beginning April 28 and running through May 10, Brookgreen Gardens will have these works displayed in a Curator’s Auction Exhibit of Work in the Rainey Sculpture Pavilion.

 

Asked to describe her feelings about having her works as part of the Friends Fine Art Auction, Goodacre said “Brookgreen is very important to me. It is heaven for a sculptor, and there is much for an artist to learn there. I am proud to have had my work shown in exhibitions at Brookgreen, but I never dreamed one of my large works would be included in the permanent collection like Pledge Allegiance. Now, I am thrilled to participate along with collectors and Red Piano Gallery in The Friends of Brookgreen Gardens benefit auction to raise funds for my all-time favorite sculpture garden.”

 

Morris & Whiteside Auctions will provide several options for bidding, including live in-auction bids; telephone bids; absentee bids and bids via a live streaming webcam.  An online catalogue is available at their website https://morriswhitesideauctions.com/

 

Brookgreen Gardens, a National Historic Landmark and non-profit organization, is located on U.S. 17 between Murrells Inlet and Pawleys Island, South Carolina, and is open to the public daily. For more information, visit www.brookgreen.org or call 843-235-6000.

RoadTrip to ArtFields

ArtFields is a unique 10-day (April 21 – 29, 2017) Southern art fest in the historic community of Lake City, SC.  Over 400 masterpieces will be displayed in locally-owned venues, from renovated warehouses from the 1920s to Smithsonian-qualified art galleries to upscale restaurants and start-up boutiques, in a mutual celebration of art and community.

Jocelyn Chateauvert, Invasive Species (detail), mixed media, artist-made paper, 2016 Peoples Choice Winner 3D

Myrtle Beach’s Franklin G. Burroughs – Simeon B. Chapin Art Museum is taking a road trip to ArtFields. Contact 843.238.2510 | MyrtleBeachArtMuseum.org

Sunset River Marketplace to feature Raleigh artist Mary Storms

Northern Highlands by Mary Storms, mixed media, 40×30

Sunset River Marketplace, the eclectic gallery in Calabash, will feature acrylic and mixed media paintings by artist Mary Storms from March 1 through April 15. There will be a public reception on Saturday, March 18 from 1 to 4 p.m. Reservations are not required.

Artist Mary Storms at work

Gallery owner Ginny Lassiter says, “I was fortunate enough to see Mary’s one-woman Wilson Arts Council show last year, and knew right then I wanted to feature her at the gallery. I’m delighted that Mary was able to carve out this time for us, and I encourage artists and collectors both to visit the gallery during her show and artist’s reception on March 18.”

 

In her Raleigh, NC studio, Mary Storms creates unique abstract mixed-media landscapes. Using a range of color palettes, her mixed media canvases (and some acrylic-only canvases) are almost always textured. For mixed media, she layers torn or cut handmade paper and/or recycled magazine paper with acrylic paint, sculpting paste and an occasional found object. To add additional depth and texture, portions of some layers are literally scrubbed off with water before the paint,  glue or sculpting paste has completely set. For her acrylic-only canvases, she applies thick layers of paint with brushes, palette knives and her hands.

 

According to the artist, her intent is to provide a sense of the symbiotic relationship between the primeval elements – stone, soil, water and sky – and the life forms these elements nurture.

 

It was during a family cross-country move to California after her father’s sudden death that she first witnessed the overwhelming expanse, power and beauty of the natural environment. Now, as an adult, she continues her love affair with nature.

 

Storms has been the recipient of numerous honors and has studied with Stephen Quiller, Barbara Nechis, Bob Burridge, Jeanne Carbonetti and others.

 

Sunset River Marketplace showcases work by approximately 150 North and South Carolina artists, and houses some 10,000 square feet of oils, acrylics, watercolors, pastels, mixed media, art glass, fabric art, pottery, sculpture, turned and carved wood and artisan-created jewelry. There are two onsite kilns and four wheels used by students in the ongoing pottery classes offered by the gallery. A custom framing department is available. There are realistic and abstract art classes as well as workshops by nationally and regionally known artists. For more information, call 910.575.5999 or visit the website at www.sunsetrivermarketplace.com.

Sunset River Marketplace is located at 10283 Beach Drive SW (Hwy. 179), Calabash, N.C. Regular hours are Monday through Saturday, 10 a.m. to 5 p.m. For daily updates, “like” the gallery’s page on Facebook.

Marc Chagall and the Paris Opera Ceiling

In 1964, Marc Chagall, the genius of 20th century art, was commissioned by Andre Malraux, the Minister of Culture under Charles De Gaulle, President of France, to create a new monumental artwork for the ceiling of the Garnier Opera Palace in Paris.
Join us on Tuesday, January 24 at 10:30 am when author, lecturer and historian, Vivian R. Jacobson, will present a lecture with images to show how this artwork is loved by people around the world. A book signing of Sharing Chagall: A Memoir, by Jacobson, will follow. Books will be available for purchase ($15/each) by cash or check only. This lecture has limited seating – please call the Art Museum at 843.238.2510 to reserve your spot.

Brookgreen Gardens Opens New Indoor Gallery

The new Naomi and Stanley Bleifeld Gallery recently opened to the public at Brookgreen Gardens. Located adjacent to the Mary Alice and Bennett Brown Sculpture Court, the gallery is open daily and showcases the work of historic and contemporary sculptors whose subjects are taken from the natural world.  Most prominent in the gallery are works of art by Stanley Bleifeld. Other artist works include Anna Hyatt Huntington, Sandy Scott, Walter Matia, Dan Ostermiller, Grainger McCoy, and numerous other important sculptors, past and present.

“The addition of the Bleifeld Gallery elevates Brookgreen’s status in the museum world and provides another indoor exhibit area to display some of our smaller and important pieces of art from our world class sculpture collection,” said Bob Jewell, President & CEO.  “Similar to the Offner Center, that opened several years ago, the Bleifeld Gallery was repurposed from an existing building that now has new life.”

The artwork of Stanley Bleifeld, given to Brookgreen Gardens by his widow, Naomi (“Nicky”), will be installed in the gallery by the end of January 2017.  Nicky Bleifeld also gave the lead gift to construct the gallery in his memory.  Although Stanley Bleifeld was renowned for his sculptures depicting the human figure, he was also known for his sculptures in the round and bas-reliefs depicting landscapes and ocean waves.  Brookgreen’s  Marine Relief on the exterior wall of the Jennewein Gallery is a prime example of Stanley’s genius in this subject matter.

Brookgreen Gardens, a National Historic Landmark and non-profit organization, is located on U.S. 17 between Murrells Inlet and Pawleys Island, South Carolina, and open to the public daily. For more information, visit our web site at www.brookgreen.org or call 843-235-6000.

Calabash NC gallery to feature works by wood carver Jim Comer and clay artist Brian Evans

Sunset River Marketplace in Calabash, NC,  presents Elements of Nature from Saturday, Jan. 14 through Saturday, Feb. 25. The exhibition features the wildlife woodcarvings of Ocean Isle Beach artist Jim Comer along with clay vessels and art pottery by Wilmington artist Brian Evans. An opening reception is set for Saturday, Jan. 14 from 2 – 5 p.m. The public is invited.

Jim Comer, Green Heron, wood

Jim Comer began carving and painting birds and ducks as a hobby over 42 years ago, originally working in basswood on New York’s Long Island. These days, living in Ocean Isle Beach, NC, he prefers tupelo (black gum) wood because of its highly desirable working characteristics for stability and finely detailed surfaces.

Brian Evans, vessel, clay

As a young student, Wilmington, NC clay artist Brian Evans studied under Hiroshi Sueyoshi and Don Johns. He has since developed his own following, receiving many honors and awards, including a regional artist grant for New Hanover County. He says, “I make pottery because I find the tactile experience of artistic expression in clay exciting. The feeling of the clay in my hands and the rhythm of the potter’s wheel can be quite therapeutic… My pottery mainly consists of vessel forms, which I enjoy because they are an intimate part of the daily ritual in people’s lives.

 

Gallery owner Ginny Lassiter says, “This is a wonderful way to start the new year. Both Jim and Brian exemplify creativity and excellence. I’m excited to showcase their work in this special show.”

 

Sunset River Marketplace showcases work by approximately 150 North and South Carolina artists, and houses some 10,000 square feet of oils, acrylics, watercolors, pastels, mixed media, art glass, fabric art, pottery, sculpture, turned and carved wood and artisan-created jewelry. There are two onsite kilns and four wheels used by students in the ongoing pottery classes offered by the gallery. A custom framing department is available. There are realistic and abstract art classes as well as workshops by nationally and regionally known artists. For more information, call 910.575.5999 or visit the website at www.sunsetrivermarketplace.com.

Sunset River Marketplace is located at 10283 Beach Drive SW (Hwy. 179), Calabash, N.C. Regular hours are Monday through Saturday, 10 a.m. to 5 p.m. For daily updates, “like” the gallery’s page on Facebook

Art Museum to Present Companion Exhibits to Gee’s Bend Quilts

Created in the isolated African-American hamlet of Gee’s Bend, Alabama, a unique style of handmade quilts was discovered by the art world in the 1960s.  These Gee’s Bend quilts have been exhibited at galleries and museums around the country, among them the Franklin G. Burroughs-Simeon B. Chapin Art Museum in Myrtle Beach, SC. The museum currently displays  Gee’s Bend:  From Quilts to Prints, until April 23, an exploration into the art of making prints based on traditional Gee’s Bend quilt designs.

Gee’s Bend quilts also inspired a 2008 children’s book by Patricia McKissack, titled Stitchin’ and Pullin’ a Gee’s Bend Quilt, illustrated by New York-based artist Cozbi Cabrera. Nearly two dozen of these illustrations are featured in a companion exhibit to the Gee’s Bend quilts, titled Stitchin’ and Pullin’: Painted Illustrations by Cosbi Cabrera. Along with Cabrera’s paintings are several handmade dolls and quilts created by the artist, and a miniature replica of a Gee’s Bend dogtrot cabin by Georgetown artist Woody Gruber. To enhance the intimacy of the exhibit, the museum has designed a reading nook for children.  Stitchin’ and Pullin’ will be on display from Jan. 10 – April 16.

Cozbi Cabrera, An Understanding Will Come Later (detail), 2008, acrylic, private collection

McKissack’s book and Cabrera’s illustrations tell the story of the community of Gee’s Bend quilters through the eyes of a young child, as the women work together, sharing stories, songs and their common history as they “stitch and pull” thread through cloth.
In addition to her work as a commissioned artist and children’s book illustrator, Cabrera is currently an Artist in Residence at the Lincoln Center’s Manny Cantor Center (New York City), where she conducts a collaborative quiltmaking workshop to a diverse community of Anglo, Hispanic, Hassidic, African and Cantonese speakers.
A third exhibition, The Fabric of Our Collection, will open Feb. 11 and will feature works from the Art Museum’s permanent collection that reference fabric, either by medium, subject matter or style. These will include Burgess, the Legacy, a photo-collage quilt by Carolynne Miller; Carl Blair’s oil-and-wax painting Appalachian Spring; Jonathan Green’s oil painting African Memories, which depicts a woman in straw hat moving between line-hung quilts, and other fabric-related works. Fabric will remain on display through April 23.
Gallery hours for all three exhibits will be from 10 a.m. – 4 p.m. Tuesday through Saturday and 1 – 4 p.m. Sunday. Admission to the museum is free at all times but donations are appreciated.

Quilts Translate to Fine-Art Prints in Art Museum Exhibit

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In the isolated African-American hamlet of Gee’s Bend, AL, located along the Alabama River, women made quilts to keep themselves and their children warm in often unheated houses that lacked running water, telephones and electricity – from the post-Civil war era well into the 20th century. Along the way they developed a distinctive style, noted for its lively improvisations and geometric simplicity. These quilts, which came to the notice of the art world in the 1990s, are considered to be one of the most important African-American visual and cultural contributions to the history of art within the United States.

The 2010 The Quilts of Gee’s Bend exhibition, presented by the Franklin G. Burroughs-Simeon B. Chapin Art Museum, remains one of the Museum’s most popular and talked-about exhibitions, according to Museum director Patricia Goodwin.  A new exhibition, Gee’s Bend:  From Quilts to Prints, examines the work of four well-known Gee’s Bend quiltmakers and their recent exploration into the art of printmaking. The exhibit runs from December 8, 2016  through April 23, 2017; additional public programs to accompany the exhibit are planned for spring 2017.

“Having the occasion to bring the quilts back to the Art Museum while simultaneously opening up a new conversation about the translation of ideas between one artistic medium to another was an opportunity we didn’t want to miss,” said Goodwin.

The exhibit, which traces the artists’ process of translating their ideas from fabric into print, includes 17 quilts, 15 etchings and six maquettes, small-scale quilt replicas used as templates for the layout and color selection for each print.

The maquettes would be pressed onto a copper plate coated with softground, a material made of a combination of wax and tar on which the design, fabric textures and even the quilters’ stitches would create an impression, which would then be used for printing. Although created with the standard quiltmaking technique of piecing, the maquettes were made by the artists to be used as a tool for the printmaking process.

The scale of the finished prints, much smaller than the quilts on which they are based, is in line with other fine art works on paper. Displayed with a white matte and framed behind glass, these images convey the idea that they are works of art and not simply crafts, as many viewers perceive quilts to be.

Each print references the workmanship of the original quilt, as elements of color, line and texture in the fabric have been simplified and flattened to a two-dimensional form.  At the same time, the art form of the quiltmaker’s design loses its cultural associations with textiles and its identification as something domestic, female and craft.

The translation from quilt to the fine art print medium also offered the makers the opportunity to create poetic or evocative titles for their works. Gee’s Bend quilts were generally not titled beyond a descriptive word or phrase identifying the design.

The prints offered the additional benefit of continuing a tradition of art-making in the Gee’s Bend community that, prior to the quilts’ rise to fame, many feared was in danger of being lost, either from quilts’ falling out of favor, or from a lack of interest in quiltmaking among the younger generation.

While Gee’s Bend quilts have been exhibited in such prestigious institutions as the Museum of Fine Arts Houston, the Philadelphia Museum of Art, and the Whitney Museum of American Art (NYC),translating the women’s textile work into the print medium opened up new avenues for their creativity.

For example, as a result of the four quilters’ collaboration with Paulson Bott Press to produce etchings of their quilt designs, quilter Louisiana P. Bendolph was commissioned by the San Francisco International Airport in 2013 to translate her print New Generation (2007) into a large-scale ceramic tile mosaic to be displayed in Terminal 3 East.

Also, through a commission from the Foundation for Art and Preservation in Embassies (FAPE) and its Lee Kimche McGrath Original Print Collection, quilter Loretta Bennett’s Yellow Jack (2006) was selected for the collection, which is stored in Washington, DC, and made available to US ambassadors when they are choosing art objects with which to decorate their embassies.

Gallery hours for Gee’s Bend:  From Quilts to Prints will be from 10 a.m. – 4 p.m. Tuesday through Saturday and 1 – 4 p.m. Sundays, except for the period Dec. 22 – 26 and  Dec 31Jan  2 when the Museum will be closed for the holidays.