Tag Archives: Myrtle Beach area

Two Spots in the Dustin Johnson World Junior Golf Championship Will Be Up For Grabs at Local Qualifier at Myrtle Beach National West Course on January 30, 2016

Registration Deadline For Participants is January 29th

Entries are still being accepted for the Dustin Johnson World Junior Golf Championship local qualifier, which is open to boys and girls that are residents of Horry, Georgetown and Brunswick counties. The qualifier will be held January 30, 2016 at Myrtle Beach National’s West Course.Dustin Johnson World Jr Golf Championship Logo 4 Color Small RGB 300dpi-...

The registration deadline for the local qualifier is January 29. For more information or to enter, go to www.WorldJuniorGolfChampionship.com. Entry cost is $40.

The top finishing boy and girl in the qualifier will earn a spot in the inaugural Dustin Johnson World Junior Golf Championship, which will be played February 1315, 2016 at TPC Myrtle Beach.

The Dustin Johnson World Junior Golf Championship will feature a 90-player field comprised of elite-level boys and girls from across the globe. Players from 12 states and eight countries have committed to play in an event that will feature one of the strongest fields in the region. Eight of the top 12 boys from South Carolina and 6 of the top 10 from North Carolina will be playing, as will 7 of the top 10 SC girls.

Among the countries that will be represented are Canada, China, England, Japan, Philippines, Scotland and Sweden. Nearly a quarter of the field will be comprised of international players.

A significant part of the event’s appeal is TPC Myrtle Beach, one of the Grand Strand’s most decorated layouts. TPC Myrtle Beach has hosted the Senior PGA Tour Championship and been ranked among “America’s 100 Greatest Public Courses” by Golf Digest, making it an ideal venue to test golf’s rising young stars.

With the support of Johnson, one of top 10 players in the world, the tournament will provide participants a PGA Tour-like experience, and the chance to test themselves against their peers from others parts of America and the world.

The Dustin Johnson World Junior Golf Championship is being sponsored by Founders Group International, the Dustin Johnson Golf School, and Myrtle Beach Golf Holiday.

Johnson’s involvement with the tournament reflects his long-time commitment to junior golf, particularly in South Carolina, where he grew into one of the world’s best players. Through the Dustin Johnson Foundation, which is headquartered in Myrtle Beach, Johnson has donated more than $250,000 to junior golf, sponsoring numerous events throughout the state and helping cover entry costs for kids who need financial assistance.

The Dustin Johnson World Junior Golf Championship is being sponsored by Founders Group International, the Dustin Johnson Golf School, and Myrtle Beach Golf Holiday.

Brookgreen Gardens Presents New Art Exhibit and Sculpture Talk

SANDY SCOTT: A RETROSPECTIVE is a major traveling museum exhibition scheduled for display at Brookgreen Gardens from January 23 – April 24, 2016. Following the exhibit opening, Scott will give a talk about the exhibit and her sculpture on Saturday, January 30 at 11 a.m. in the Lowcountry Center Auditorium. The talk and the exhibit are free with garden admission.

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The exhibition is comprised of a retrospective range of 45 or more sculptures and 35 etchings and drawings.  Sandy Scott received her formal art training at the Kansas City Art Institute and later worked as an animation background artist for the motion picture industry.  She turned her attention to etchings and printmaking in the 1970’s and to sculpture in the 1980’s.

 

Born in Dubuque, Iowa in 1943 and raised in Tulsa,Oklahoma, she works today in Lander, Wyoming in a studio near the foundry that casts her bronzes.  She also maintains studios on Lake of the Woods, Ontario, Canada, and in the mountains of northern Colorado. Sandy is an avid outdoorswoman who loves to hunt and fish. She has made 16 trips to Alaska and has been to Europe, Russia, China, South America, and Africa to visit the world’s great museums. She believes wildlife artists should be in the field to accurately present their subject to the viewer. Her work is authentic. She has experienced and lived what she depicts.

 

A lifelong interest in aviation has been invaluable to her work as anartist.  A licensed pilot for 50 years, she says, “I believe my knowledge of aerodynamics has been helpful in achieving the illusion of movement in my bird sculptures.” Her knowledge of aerodynamics was particularly evident in Mallard Duet, a sold out sculpture that won the Ellen P. Speyer Award at the National Academy of Design in New York.  This sculpture is in the permanent collection of Brookgreen Gardens and the National Museum of Wildlife Art.

 

Sandy’s father raised and bred quarter horses an ranched in northeastern

Oklahoma which instilled in her a love and knowledge of horses and animals.  She has a beautiful Morgan gelding that she used as a model for her powerful truncated equestrian sculpture entitled “ Equus Found Fragments” which recently won the Award of Excellence at the Society of Animal Artist Exhibition.

 

When asked what influenced her work most the artist replies,

“First was the time I spent at the Kansas City Art Institute, it opened my eyes to the fundamentals of art and imparted a life long interest and love of art history; second was my trip to the north country and Lake of the Woods when I was a kid, it introduced me to what would become a never ending source and inspiration; third has been teaching workshops: teaching is an ongoing discipline – I’ve learned and continue to learn through teaching.”

 

Sandy Scott is on the teaching staff of the Scottsdale Artists’ School, and the master sculpture workshops at Brookgreen Gardens, Murrells Inlet, South Carolina. She is a member of The National Arts Club New York, NY, the Society of Animal Artists, a fellow in the American Artists Professional League, and a fellow of the National Sculpture Society.

In 1998 the Gilcrease Museum honored her with a retrospective. At that time a book entitled Spirit of the Wild Things – The Art of Sandy Scott was published. Her work was featured in the book titled The American Sporting Print – 20th Century Etchers and Drypointints by John T. Ordeman; and in the recently published book; The Red Fox in Art by John Orrelle.  She has been featured in several magazine articles, including 10 most prominent artists of 2012 published by Southwest Art.

Sandy participates in annual juried exhibitions including those at the Autry National Center, Los Angeles, California; Prix de West, Oklahoma City, Oklahoma; National Center, Los Angeles, California; Prix de West, Oklahoma City, Oklahoma; National Sculpture Society, New York, New York; Society of Animal Artists, New York, and Eiteljorg Museum’s Quest for the West, Indianapolis, Indiana.  Scott’s work is in the National Museum of Wildlife Art, Jackson, Wyoming; R.W. Norton Museum, Shreveport, Louisiana; Museum of Arts and Crafts, San Antonio, Texas; Museum of the Horse, Ruidoso, New Mexico; The United States Military Academy, West Point, New York; The Briscoe Museum, San Antonio, Texas, Brookgreen Gardens, Murrells Inlet, South Carolina; Gilcrease Museum, Tulsa, Oklahoma; the National Cowboy and Heritage Museum, Oklahoma City, Oklahoma; and the Rockport Center for the Arts, Rockport, Texas. Her monumental Presidential Eagle was installed at the entrance to the Clinton Library in Little Rock, Arkansas.

Myrtle Beach Art Museum Features Photographer’s Views of Ocean Mysteries

The planet’s surface is more than 70 percent water, yet for most the ocean is merely a blue expanse beyond the shoreline. Not so for marine life photographer Joe Quinn, whose work takes the viewer on a journey to a world of swaying corals, glittering scales and sweeping ocean-floor-scapes. His fine-art imagery, which has appeared in such publications as National Geographic, Dive News and Smithsonian, is the subject of an exhibition titled Joe Quinn: Underwater, on display from January 14 – April 21 at the Franklin G. Burroughs-Simeon B. Chapin Art Museum in Myrtle Beach, SC.  An exhibition opening reception will be held on Sunday, January 24, 2016 from 1-3 p.m.  Reception is free for members and $10 for non-members.Drifting the Void

The exhibit includes 32 black-and-white photographs of life under the sea. Ranging from up-close, abstracted details of marine life to large-scale ocean-floor views, Quinn’s images take the viewer to a world and an array of often strange creatures, that most of us have never seen: from the more familiar, colorful reef fish and turtles to such seemingly alien life forms as sea jellies, anemones and a host of other bottom dwellers.

An Oyster Toadfish waits in its lair

An Oyster Toadfish waits in its lair

Joe Quinn began his journey into the world of photography as a professional dive instructor trying to bring a sense of the beauty and wonder beneath the surface back to those who have never experienced it themselves. Along the way he experimented with different digital darkroom techniques and created his own style of reinvented photographic art. Pushing the boundaries between art and photography, Quinn utilizes and blends the elements of color, light and motion to create a surreal take on the liquid realm.

A New York City native, Quinn currently makes his home in Myrtle Beach. His artworks, along with his traditional photographs and writings have been widely published in magazines and books. He is also a member of the Ocean Artists Society, an alliance of the world’s top marine life artists, sculptors, painters, photographers and filmmakers, whose goal is to foster an interest in the ocean arts and marine life issues. His company, Swimwitdafishes Photographic Dive Tees, features his work in full color graphics.

Gallery hours for Joe Quinn: Underwater will be from 10 a.m. – 4 p.m. Tuesday through Saturday, 1 – 4 p.m. Sunday, beginning Thursday, Jan. 14. Admission to the museum is free at all times, but donations are welcomed.

Brookgreen Gardens to Host Reign of Rice Lecture and new Gullah Exhibit

The Reign of Rice Lecture Series
1 p.m., Saturday, January 23 

Indigo artist Arianne King Comer, of North Charleston, will present “IBILE: Rice Heritage as a Catalyst for Artistic Expression.” Her lecture is in the Wall Lowcountry Center Auditorium and is free with garden admission.

The new exhibit “Gullah Culture…Remembering While Evolving” and “Remnants of the Rice Culture” are on display daily from 12-4:30p.m.through March 13 in Learning Lab I at the Wall Lowcountry Center. The exhibits are free with garden admission,

Myrtle Beach Art Museum Exhibit Creates Connection Between Disease and Art

Artist and educator Charles Clary lost both his parents in 2013, two weeks apart, to smoking-related cancers. Clary channeled his grief into his art: using hand-cut, layered paper to create intriguing formations that mimic viral colonies and concentric sound waves. Charles Clary: Infect[ious] Installations, an exhibition of works that challenge the viewer to suspend disbelief and venture into his fabricated reality, comes to the Franklin G. Burroughs-Simeon B. Chapin Art Museum in Myrtle Beach, SC January 21 – April 21.  An opening reception will be Sunday, January 24, 2016, from 1 – 3 p.m. Reception is free for  members and $10 for non-members.
Flam-a-Pleural Movement #3 Charles Clary, Flam-a-Pleural Movement #3, 2015, hand-cut paper and wallpaper on distressed drywall, 24" x 24" x 4"

Flam-a-Pleural Movement #3
Charles Clary, Flam-a-Pleural Movement #3, 2015, hand-cut paper and wallpaper on distressed drywall, 24″ x 24″ x 4″

A native of Morristown, TN, Clary now teaches studio art at Coastal Carolina University. His work has been exhibited regionally, nationally and internationally in numerous solo and group shows.
Flam-a-Pleural Movement #4 Charles Clary, Flam-a-Pleural Movement #4, 2015, hand-cut paper and wallpaper on distressed drywall, 24" x 24" x 4"

Flam-a-Pleural Movement #4
Charles Clary, Flam-a-Pleural Movement #4, 2015, hand-cut paper and wallpaper on distressed drywall, 24″ x 24″ x 4″

Following his parents’ deaths, Clary became intrigued by the form and structure of disease pathogens. “Cancer is a disease that is a perfectly structured killer; it is beautiful in its architecture but grotesque in its eventuality,” Clary notes in his artist statement.He began to create layered, structured “landmasses” made from recycled, discarded drywall and wallpaper.
Clary suggests that these three-dimensional structures “contaminate and infect the surfaces they inhabit, transforming the space into something suitable for their gestation. . . .These constructions question the notion of microbial outbreaks and their similarity to the visual representation of sound waves, transforming them into something more playful and inviting.”
The artist’s use of drywall and discarded wallpaper reflects his recent interest in nostalgia, along with the concept of creating order from chaos, beauty from destruction and hope for more joyous times.
Clary’s most recent paper installation sculptures deal with the idea that music is an intangible virus, and that its listeners are the “carriers” that spread this “disease” from one space to another. “Each paper tower resembles computer generated sound waves, Petri dishes, bacterial and viral colonies, as well as fungal and mold growths,” Clary writes. “The towers represent the similarities that each share on the micro level.”
Gallery hours for Charles Clary: Infect[ious] Installations will be from 10 a.m. – 4 p.m. Tuesday through Saturday, 1 – 4 p.m. Sunday, beginning Thursday, Jan. 21. Admission is free at all times, but donations are welcomed.

Gem Mining Program at the Museum of Coastal Carolina on Jan. 23

Michael Abushakra will present a program called Gem Mining: Treasures from the Earth at the Museum of Coastal Carolina at 11:00 on Jan. 23, 2016 . He will simulate a gem mining experience by providing children with bags of materials to sift through, sort, and identify. Kids will learn how to compare rough rocks and minerals with polished, finished specimens and jewelry.MuseumExterior

A native of Brunswick County, Michael Abushakra is a second generation jeweler and the owner of Brynn Elizabeth Jewelers in Ocean Isle Beach, where he makes custom jewelry. He earned his Graduate Gemologist and Graduate Jewelers degrees at the Gemological Institute of America in Carlsbad, CA.

The Museum of Coastal Carolina is located at 21 East Second Street, Ocean Isle Beach, NC. The museum is open from 10-3 on Friday and Saturday.  Admission to the museum is free for members. Non-member all-day admission (including NC sales tax) is $9 for adults, $8 for seniors (62+), $7 for children (3-12), and free for age 2 and under. For more information, call 910-579-1016 or visit www.MuseumPlanetarium.org.

Myrtle Beach Art Museum Exhibit Proves Trash Can Become Treasure and Art

One person’s trash can be another’s treasure. For Columbia-based artist Kirkland Smith, a lifelong goal of painting in oil took a very different turn when she discovered trash – or more importantly, it’s potential for creating art with a very definite statement about the American consumerist obsession. Her assemblages of a mind-boggling array of “found” objects create works of art with amazing depth and impact.
Portrait of an Artist Kirkland Smith, Portrait of an Artist, 2014, post-consumer materials, 51" x 51" x 3"

Portrait of an Artist
Kirkland Smith, Portrait of an Artist, 2014, post-consumer materials, 51″ x 51″ x 3″

An exhibition of 21 of her works, titled Kirkland Smith: Assemblages, will be on display at the Franklin G. Burroughs-Simeon B. Chapin Art Museum from January 21 – April 21. An opening reception, from 1 – 3 p.m. Thursday, Jan. 24, will provide an opportunity for visitors to meet the artist and hear about her work, first-hand. Cost of the reception is $10 for non-museum-members, free to members.
Marilyn Kirkland Smith, Marilyn, 2009, post-consumer materials, 51" x 51" x 3"

Marilyn
Kirkland Smith, Marilyn, 2009, post-consumer materials, 51″ x 51″ x 3″

Although classically trained in both painting and ceramics, with a degree in Studio Arts from the University of South Carolina, Smith’s interest in working with found objects arose from an environmental landscape art contest she entered in 2008. The contest’s challenge was to illustrate an environmental issue with a work of art.
“The more I looked,” she recalls, “the more aware I became of the disposable nature of our society. Many conveniences I took for granted I now saw in a different light . . .  And I started wondering where all this trash ends up – the stuff that doesn’t make it to the landfills.”
Recruiting friends and family members – including her school-age children – to bring her cast-off objects such as bottle caps, small toys, discarded remote control devices, make-up pots, buttons and other mostly small plastic objects, Smith began amassing an inventory of material. In the artist’s talented hands, these items take the place of paint and other media, coming together to form astonishingly complex images: portraits of well-known celebrities such as Steve Jobs and Marilyn Monroe; landscapes and creatures from the natural world; or multicolored, kaleidoscope-like figures.
“The material for my work is plentiful and my bins of ‘stuff’ keep growing,” Smith writes in her artist statement, noting that she receives a steady flow of material from family and friends. She adds, “My art is only as good as my trash, and the donations from others has made the work much more interesting and meaningful.”
Smith’s assemblages have been displayed individually at environmental conferences and meetings, but more often are collected and displayed simply for their aesthetic appeal. She has come to see her recycling-into-art as a form of redemption, finding beauty in unexpected places and turning the discarded and unwanted items into something new and beautiful. She notes that her work has given her a new perspective on our disposable society, and adds that “what we throw away says a lot about who we are, but what we choose to cherish and protect says even more in the end.”
Gallery hours for Kirkland Smith: Assemblages  will be from 10 a.m. – 4 p.m. Tuesday through Saturday, 1 – 4 p.m. Sunday, beginning Thursday, Jan. 21. Admission to the museum is free at all times, but donations are welcomed.

Blues Legend Drink Small Birthday Concert at Hobcaw Barony

Drink_Small__photo_by_Doug_Allen

Drink Small photo by Doug Allen

“The Blues Doctor” is performing his guitar magic on the road at Hobcaw Barony near Pawleys Island, SC, on Saturday, Feb. 27, 2016, 3-5 p.m. Drink Small, the elder statesman of blues and self-described “old guitar player,” is 82 and still performing enthusiastically with his trademark booming voice and boisterous personality. A 2015 winner of the National Endowment of the Arts National Heritage Award, Drink Small has been singing the blues for six decades.

According to Gail Wilson-Giarratano in her biography Drink Small: The Life and Music of South Carolina’s Blues Doctor, he was born in Bishopville, SC, in 1933 to sharecropper parents and actually named Drink Small. He was injured in a wagon accident at a young age and was unable to pick cotton, so he began to sing gospel, joined the Spiritualaires during the 1950s, and chose to sing secular music in the 80s. Despite blindness, Drink has played throughout America and chosen not to travel outside the States, due to his love of America and his dedication to South Carolina.

In Jordan Lawrence’s fall 2015 article in Columbia’s Free Times, Drink’s intricate picking and impressive lyrics are described as “Drinkisms,” statements made in rhyming wisdom and set to soulful blues (“I got a hundred quotes in my throat!”). McKissick Museum’s curator Saddler Taylor says, “Drink has influenced generations of musicians, especially blues guitarists.”

The intimate concert setting provides a chance to hear, see and interact with a blues legend, according to Lee G. Brockington, senior interpreter at Hobcaw Barony. “I learned of an opportunity to book Drink Small through Dale Alan Bailes, former nightclub owner and friend of Drink’s publicist Clair DeLune, who is also host of the WUSC radio program, Blues Moon Radio in Columbia. I first heard him play while a college student in Columbia and thought he was B.B. King! Later, when I heard him perform at Homecoming at the Penn Center on St. Helena Island, I was hooked on the one and only Drink Small! As a NEA Heritage Fellow, he joins the ranks of B.B. King, Mavis Staples and John Lee Hooker. People are so excited about his coming to the Pawleys Island area, and I’m personally looking forward to celebrating this moment in South Carolina history.”

 

Tickets are $25 and space is limited. Books, t-shirts and CDs will be available for purchase at the concert. To order tickets, visit CLASS (Community Learning About Special Subjects) at Art Works in the Litchfield Exchange, call 843-235-9600 or register online at ClassAtPawleys.com.

Dr. Martin Luther King, Jr. Celebration and Parade in Myrtle Beach

Myrtle Beach will commemorate the life of Dr. Martin Luther King, Jr., with a weekend full of activities, January 16-18, 2016.  It’s the city’s 10thannual celebration.  Everyone’s invited to participate in a job fair, musical talent show, the King Day Parade and more.  Here’s the full celebration schedule:

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9:00 a.m. to 11:00 a.m., Saturday, January 16 – Business and Opportunity Workshop, Mary C. Canty Recreation Center, 971 Canal Street

11:00 a.m. to 1:00 p.m., Saturday, January 16 – Job Fair and Employability Workshop, Mary C. Canty Recreation Center, 971 Canal Street

1:00 p.m., Saturday, January 16 – Statewide Deliberative Dialogue Forum, Mary C. Canty Recreation Center, 971 Canal Street

5:00 p.m., Sunday, January 17 – “Carolina Has Talent” Gospel Explosion:  Musical Tributes to Rev. Dr. Martin Luther King, Jr., Sandy Grove Missionary Baptist Church, 1008 Carver Street

5:00 to 8:00 p.m., Sunday, January 17 – Civil Rights Sunday:  Ecumenical Service, Sandy Grove Missionary Baptist Church, 1008 Carver Street

8:00 a.m., Monday, January 18 – Corporate and Community Awards Breakfast, Mary C. Canty Recreation Center, 971 Canal Street

11:45 a.m., Monday, January 18 – 10th Annual Dr. Martin Luther King, Jr. Parade

New Gullah Culture Exhibit Opens at Brookgreen Gardens

“Gullah Culture…Remembering While Evolving,” an exhibit of visual art by Patricia Sabree, will be displayed in Learning Lab I of the Wall Lowcountry Center at Brookgreen Gardens from 12 to 4:30 p.m. daily from January 11 through March 13.

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Her art reflects her Gullah experiences growing up on a farm with 15 brothers and sisters in Lake City, SC.

Vibrantly colored and filled with energy, each painting tells a story about Gullah culture and lore. “Love Grows” depicts the work ethic of a woman and child planting vegetables.  “Son Raise” showcases the pride of a father and son fishing.  And “Before Convenience” portrays the discipline and joy of hard work as a woman cooks on a wood burning stove.

Sabree, a resident of Bluffton, SC, says her work provides reminiscences of the deep south.  “My paintings are shaped by the stories I lived. Fishing off the river bank or swamp land, walking barefoot in the rain, running in the  blazing sun, playing in a game of outdoor basketball, being whipped across the legs for not doing a chore, and even enjoying ice cream and cake on a sunny summer’s Sunday.”

Sabree is owner/operator of Sabree’s Authentic Gullah Art Gallery, Savannah, GA; Sabree’s Headquarters, Charlotte, NC; and an online gallery at www.sabreesgallery.com.